Popcorn Pancakes

I wanted a legitimate reason to eat popcorn for breakfast because I was craving it and feeling blerghy about trying to eat anything else. I googled around and found various ways of turning popcorn into cereal with milk but that was definitely not what I wanted, and I found some weird methods of squeezing kernels in water, but I didn’t want that either. I wanted popcorn in a pancake.

So I made some up, and it turned out really tasty. It is, however, very, very, very rich because of all the butter, so don’t expect a light and airy meal here. It makes four 6-ish-inch pancakes and I could barely eat two, whereas I usually eat about four of my regular (and much healthier) pancake recipe.

I sized this recipe to work off of a 70g bag of premade “lightly salted” popcorn. You can pop your own or use a flavoured popcorn if you like. The popcorn with sugar on it weighs more, so if the line of popcorn you like has a “lightly salted” version around 70g but the flavoured version weighs more in the same size bag, it should be fine.

Also, I ate a handful of the popcorn out of the bag as I cooked because I just assumed everyone is going to do that anyway, so really, the 70g doesn’t have to be exact!

Further, if you need this recipe to be gluten-free just ensure that all of the ingredients are gluten-free (particularly the oats and popcorn).

Note that it doesn’t come out as a pourable batter like regular pancakes, so you’ll need to put some in the pan and flatten it down:

pressing down pancake

Use your spatula to gently press it flat in the pan so it cooks through and is easy to flip.

Here’s how it looks flipped over, with a nicely crisped surface all over. No soggy weird popcorn here, just crispy popcorn pancakes!

popcorn pancake in pan

This is why we need scratch’n’sniff technology for the web.

I ate mine plain but you could add whatever toppings you like. Pour salted caramel over it and call it dessert! Or still breakfast. You’re an adult, you can choose to eat whatever suits you and I’m not going to judge. Unless you’re a kid reading this blog, in which case go pick a room in your house you’re allowed to go into, clean it, and then show your parents this page and ask for it for breakfast, with the promise that you’ll wash the dishes afterwards. That’d make me make some for my kids!

5.0 from 1 reviews
Popcorn Pancakes
Prep time
Cook time
Total time
Rich, buttery, crispy pancakes with a strong popcorn flavour. Adapt as desired using your favourite type of popcorn.
Recipe type: Breakfast
Serves: 4 6" pancakes
  • 57g butter (half stick, ¼ cup)
  • 100g porridge oats/quick oats (1 cup)
  • ½ tsp salt
  • 1 tsp baking powder
  • 70g bag of lightly salted popcorn (or flavour of choice)
  • 3 large eggs
  • 120 ml water (1/2 cup)
  • additional butter for frying
  1. Melt the 57g of butter carefully in the microwave so it's not too hot (it can still have softened lumps in it), set aside.
  2. Place oats in a food processor and process until very fine. Transfer to a large mixing bowl and mix in salt and baking powder.
  3. Place about half of the popcorn (or less, if your processor is small) in the food processor and grind down to fine crumbs. It's okay if some chunks remain. If you see any hard kernels, remove them. Transfer to the bowl with the oats. Repeat with the rest of the popcorn until it is all ground down. Note that if your kitchen is dry, it will become highly statically charged in your food processor and try to leap out all over the place when you go to pour it. If this is a problem, put a bit of water on your fingertips and flick it into the processor's bowl, or give it a tiny misting of water from a clean, food-safe spray bottle.
  4. Break the eggs into the popcorn/oat bowl and use a silicone spatula to work the eggs into the mix, folding up from the bottom regularly to ensure all of the dry ingredients get mixed in. The mixture will be crumbly.
  5. Pour in the melted butter and mix thoroughly.
  6. Add the water and mix thoroughly.
  7. Place a knob of butter into a frying pan on medium heat until it's melted and bubbly. Scoop about a quarter of your mixture into the pan and press it down flat with a spatula. When the edges start to brown, flip the pancake with the spatula and cook on the other side until its edges are browned, then carefully remove to a serving plate. Repeat three more times for the rest of the batter.
  8. Serve hot with any toppings as desired.
Posted in Breakfast, Experimental Techniques, My Recipes, Other Food | 1 Comment

Podcast Episode 1

The first full episode of my new podcast is out!

You can listen to it and find all of the show notes here: http://www.eat-the-evidence.com/podcast/episode-1-april-20-2017/

For a full list of episodes, please see the podcast page.

If you have any comments or requests, feel free to add them below.

Happy listening!

Posted in Uncategorized | Leave a comment

Eat the Evidence is Now a Podcast Too!

Exciting news everybody…I’ve launched a podcast to go with this blog!

You can find all the details on the new Podcast page, and episodes will be listed there as well. You can also subscribe through iTunes, Stitcher, and TuneIn.

The podcast follows the same content guidelines as this blog; it’s not directly for kids, but I try to keep the language clean and promise to preface each episode with a warning if there is content I wouldn’t want my own kids to hear. So it should be safe to listen to with your kids nearby.

The Pilot Episode is out and I’m already working on the first main episode. I aim to have episodes out every other week for the first while, and then maybe once my youngest child is in full-time school I’ll be able to move to weekly. You can listen now by clicking the link below:

[soundcloud url=”https://api.soundcloud.com/tracks/314944815″ params=”auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true” width=”100%” height=”450″ iframe=”true” /]

Enjoy and get in touch to be part of the show!

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Safety Lights Are For Dudes – Experimenting Holztmann Style

I bought a Ghostbusters logo cutter from Etsy awhile back. Recently when my friends and I were going to watch the 2016 movie together, I decided that was an excuse to run some random experiments:

Question 1: can you put white food colouring in buttery cookie dough to make it come out more white or will it just be slightly less yellow?

Question 2: can you use an inner-stamp-style cutter plus a knife to effectively have a patchwork-style cutter for cookies?

Question 3: if yes to 2, is it feasible for many cookies or is it horribly tedious?

For the first question, I knew from experience that you can add colour to cookie dough but that there’s often a yellowish tinge. For instance, light blue tends to come out fairly turquoise. So I wasn’t sure if the white (I used Americolor Bright White gel) would carry itself enough against the yellow or if baking would just make it turn golden-brown anyway.

I made a batch of what’s become my usual UK non-spreading cookie dough and separated it into thirds, tinting one white and another with Americolor Super Red. I started with a small amount and kneaded it in, repeating until I liked the result:

coloured dough

White-tinted dough on the left, uncoloured in the middle, red on the right.

Clearly the white made the dough itself very white compared to the yellow untinted stuff! That was promising…

I then rolled it out and cut several white and red logos. I put the white ones on the lined pan directly. Then, using a small, sharp knife, I cut the circle and diagonal out of the white ones and cut the ghost out of the red ones (taking care in that case to keep the long zig zag intact). Then I assembled them right on the baking tray, pushing the sides up against each other but not doing any particular pinching or adhering beyond that.

preparing the pieces 1

It was easiest to start with the ghost’s top half in place, put the little bit of red above his shoulder, put the zig zag in place but opened at the bottom, slide the ghost’s lower half into place, and then close the bottom of the circle up around him.

assembly 2

assembly 3

assembled cookie

The finished assembled cookie, ready for baking.

By assembling directly on the tray, you don’t have to move it, meaning you can let it bake together and not have to fiddle with making the pieces stick together or hold the round shape for a transfer from work surface to tray.

And I’ve got some pretty cool stuff cookin’ up over here if you just want to turn your heads…

baked cookie

The baked cookie!

Woot woot, it worked! It all baked together into one solid cookie, and other than mild browning at the small fingery bits, it stayed pretty white!

Here’s a comparison of several white ones with a no-colour one in the middle:

undyed in middle

You can see what a clear difference the white food gel made.

Although given my theme to this post, this is probably a better version of that image:

cookies with wig and hat

The hat is too much, right? Is it the wig or the hat?

So here are the answers:

Question 1: YES you can add white food colouring (at least Americolor Bright White) to cookie dough, it makes it much whiter, and it even stays white in baking (except for the actual browned edges).

Question 2: YES you can use an interior-stamp-type cutter to do multicoloured cookies patchwork style, as long as you’re prepared to sit there and cut the bits out individually.

Question 3: YES it is horribly tedious. I knew there were about four to eight people coming to this event and I wanted an extra for Peo, so I made 12 and then I was seriously sick of the picky little cutting. If you’re considering doing this sort of thing for cookies for sale, CHARGE ACCORDINGLY because it’s time-consuming and fiddly and annoying. If the cutter did the inner part all the way through it wouldn’t be too bad, but the delicate hand-cutting part is slow, achy work.

But in the end everyone loved the cookies and you know Holtzmann would have eaten them too, particularly if something horrible was happening across the room. And she’d want you to eat them so your blood sugar doesn’t get too low and you end up getting possessed. These are some of the many reasons why we love her, salty parabolas and all.

holtzmann winking

Posted in Cake Decorating, Cookies, Experimental Techniques, Severe Nerdery | Leave a comment

Cake Balls Fight Food Waste

Disclaimer: this post includes use of a tool I received free in exchange for featuring it in a project. This post does not include any affiliate links.

I’m very much involved lately with my local Women’s Institute group, the Cambridge Ladybirds, and we’ve been looking for ways to take action on the national WI resolution against food waste. To that end, we had a little friendly competition at our January meeting to make something out of leftovers currently in our pantries, fridges, and freezers.

When this idea came up at our committee meeting I said, “Guys, I make cakes. You do understand that at ANY GIVEN TIME I can use those rules to make cake balls, right?”

Because as most cake decorators know, carving cakes results in a lot of cake scraps, often mixed with icing. While there are some people who throw that out, thrifty decorators know better! We put those scraps in ziplock bags or in tubs in our freezers, and the next time we need to make cake balls or cake pops, we have the stuff we need right there at hand.

I also usually have extra ganache frozen in little square chunks on hand as well, because if I have cream that needs using soon it’s relatively easy for me to mix it up with chocolate and freeze it in my old Wilton “brownie bites” silicone pan (which I’ve never used for making brownies but is a good small square mould!).

So it was an easy decision for me to make cakeballs for the competition, especially since I had leftover yellow fondant from the cake I made for our group’s Christmas party:

cheese shaped cake

There’s a running joke about last year’s Christmas party having “so much cheese” so I made a cheese-shaped cake with some of the group’s members represented as mice.

But covering cake calls with fondant can be tricky. It’s easier to dip them in melted chocolate, so I had to think about how I wanted to do the fondant cover in a way that wouldn’t give people too much of a lump of pleated-together fondant to bite.

Then I remembered that I still had a couple of products left to review from the box of free samples sent to me by Mister Chef, including this 15 Cavity Mini Flowers Non Stick Silicone Baking Mould (they don’t have a photo on their store site at the time of this post, but they do have one on their Amazon UK store here). When they first sent me the mould I wasn’t sure what to do with it since I’m generally not a fan of shaped baking moulds as they rarely turn out with good detail on baked goods. Or even if they do, the details get lost if you put any icing on it.

But the mould turned out to be a great way to make shaped cake balls. I dusted the mould with corn starch and rolled out some of the fondant to about 2-3 mm thick; thin enough to not be overwhelming, but still thick enough to allow some stretch so I could push it down into the mould while avoiding pleats.

starting out

I didn’t measure the thickness of the fondant; I went by what felt right. That’s something that can only come with practice. I’d never done this particular application before and it took me a couple of goes to get it so it wasn’t tearing as I pushed it in. Be brave and give it a go…you’re not committing to it until you actually put the cake ball stuff in, so go ahead and try, fail, wad it up and try again. And remember, if it all goes badly you can always just eat the evidence!

The trick to getting the fondant in there without pleating is to drape it loosely over the hole and then gently nudge it down in, pulling out pleats as they form at the top which feeds more material downwards. Just like when you’re covering a cake with fondant, you need to resist the urge to pinch pleats together and instead gently pull them out. This will slowly form a cup shape that drops into place and then at the very end you can push the fondant into the mould. Don’t worry about pushing it too firmly, though, because pushing the cake ball material on it later will help finish that job.

putting fondant in mould 1

Drape the fondant over and guide it in with gravity helping you.

putting fondant in mould 2

As pleats form, gently pull them open and keep feeding the excess downwards.

Once you’re happy with the fondant’s placement in the mould, carefully trim the excess from the top. Make sure you don’t go down into the cavity at all or else you’ll end up with a gap. If you trim it and end with a little gap, pinch up some more fondant to level it off.

Next, place some cake ball mix into the hole. On my first attempt I put in too much, possibly because the entire time I was doing this I had a hungry-eyed audience…

Robin looking at cakeball

“What do you mean I can’t trim the excess with my teeth? What is this ‘hygiene’ you speak of? I call it OPPRESSION.”

Put small amounts in at a time, pushing them firmly down to the bottom but not too hard. You don’t want to push the cake ball material through the fondant down there, but you want to fill it up firmly. Fill it to the point of being level.

To cap it off, it’s easiest if you can find a circle cutter that matches the diameter of the top of the mould. I went through my Ateco graduated set until I found the closest one that was slightly over versus slightly under. You want to err on the side of slightly over in this case because you can work a tiny bit of excess into the top part, but if you don’t have enough to cover, cake ball mix will fall out.

testing cutter

Testing the cutter against the actual mould.

Then simply roll out a bit more fondant, use the cutter you chose, brush a bit of water around the edge of one side, and put that wet edge against the cake ball in the mould. Gently push it down on all sides to get it stuck firmly on.

Pull the sides of the mould to loosen the cake ball, then turn the mould over and let gravity help you get it out. If you need to push, do so carefully and evenly so you don’t distort it as it comes out. If you put enough corn starch in, it should slide out fairly easily.

cake ball out of mould

This is how my first attempt looked when it slid out.

cake ball smoothed

This is how it looked when I brushed off the excess corn starch and ran my palms around the seam edge to smooth it out a bit.

cut cake ball

Then I cut it in half to ensure there was a nice ratio of fondant to cake ball mixture.

Robin eating cake ball

See? She isn’t all that deprived after all!

Once I was sure the method had worked, I went into production-mode. I rolled out more fondant at a time, cut it with a larger circle cutter, filled each cavity, and then went back to trim.

Some tips for trimming excess in any kind of mould: 1) Obviously don’t use a sharp knife on a delicate mould, and whatever knife you use, be super careful or you could wreck your mould. If you’re inexperienced, use a plastic knife. 2) Go from the middle outwards to avoid pulling your material out of the mould as you cut (especially with less-sharp knives).

cutting excess 1

Start in the middle and cut to one side so you’re pushing your material against the mould, not pulling it out.

cutting excess 2

Then reverse the knife and cut the other way. Some shapes may require you do this multiple times from more angles. Just go carefully so you don’t damage your mould, and always sweeping towards the outside of the cavity.

I made a lot of cake balls pretty quickly once I got into it, and then decided they were a bit plain being all one colour. So I airbrushed them with a bit of red hoping to bring out the flower’s details, but then they kind of looked like nasty boils. So then I went back over the red with metallic gold airbrush spray and that made them look shiny and nice. I also added some long-ago leftover red sugar pearls I bought for Rudolph noses.

floral cake balls

Floral cake balls, all lined up for serving.

So there you have it! There are lots of shaped mini pans/moulds available on the market, so if like me you’ve thought they wouldn’t be so useful because icing ends up obscuring the detail, try instead using the pan to shape the icing!

Oh, and I won two of the three titles from the contest that inspired this whole thing: Best Tasting and Best Presented. Woohoo for cake balls reducing food waste!

Posted in Cake Balls, Cake Decorating, Prize Winners, Products, Tool Reviews | Leave a comment

Product Review: Deiss PRO Zester & Grater

Disclaimer: I received a free sample of this product in exchange for an honest review and to post Amazon promotional codes. I do not have my own Amazon affiliate link at this time so this post contains promotional codes that need to be entered at checkout before January 1, 2017, but this post does not contain affiliate links. All Amazon links are direct links only. The only compensation I have received for this post is the free grater.

Shortly before the biggest cake show of the year, I was asked if I would be willing to test and promote the new Deiss® PRO Citrus Lemon Zester & Cheese Grater, which is a mouthful of a title for what I’d otherwise call a microplane grater. I replied that we use microplane graters in our household all the time – primarily for Parmesan cheese, nutmeg, and zesting lemons – and that I’d be happy to give it a whirl and share discount codes with my readers, as long as I could do it after the Birmingham show.

So this thing arrived in the mail and I thought, “Yup, that’s a microplane grater, I’ll get to that in a few weeks.” Because at first glance other than the bright yellow handle, it just looks like every other microplane grater we’ve ever had, and while we ought to replace them more often than we do – because they do get dull after a few years and we really do use them a lot – shopping for a grater tends to be based on convenience and price more than features. I mean, it’s a grater, right? It’s a series of itty bitty blades that shred things. What’s to separate out one from the rest?

Well, I was surprised when I actually used it to find a really cool feature none of our other graters have had, and my husband has decided the Deiss is his new favourite as well. It’s a tiny thing that we didn’t even notice at first until I was grating up some Parmesan and realized I could put the tip of the grater down on the board and push the cheese without the grater slipping around. It was novel enough that I had my husband come take a photo of me doing it:

grating cheese

By resting the tip down on the cutting board, I was able to push the cheese against the grater firmly and get beautifully thin wisps super fast. The metal part held firm with no dangerous flexing.

This is accomplished by two little rubber feet at the end of the grater:

black rubber feet

Those two tiny black feet make a huge difference!

To contrast, here’s the Deiss (on the right) alongside our old grater, which worked fine for grating but we could never put down on its tip without it slipping under pressure:

two graters

The old grater is on the left with no rubber feet, the Deiss is on the right with black rubber feet.

To get around the slipping, typically with the old grater we’d grate over a bowl. For ingredients that only need approximate measuring – such as how I grate nutmeg directly into a cookie recipe because I know it’s “about that much” and then “a bit more because I like nutmeg” – that’s still the easiest way to do it, as I did with the Deiss here:

grating nutmeg into bowl

Never buy pre-grated nutmeg. It loses its flavour quickly. Always buy whole nutmeg and grate it fresh as needed. Trust me on this…you haven’t had proper nutmeg flavour if you only buy pre-grated stuff. I’m not even being a food snob about it, I promise! I buy premade pastry crusts, pre-shredded mozzarella, and pre-chopped frozen onion and garlic. I’m not against you saving time, but nutmeg isn’t the place to do it!

But with cheese or an ingredient that needs to be measured, having to put the grater across a bowl means either using a large bowl that then needs cleaning, or using a small bowl that isn’t as stable and then you’re only using a small portion of the blades, so it takes longer. Being able to speed-grate a pile of fluffy Parmesan on a small cutting board is definitely preferable.

grated parmesan

Mmm, fluffy fresh Parmesan. If you’re going to buy pre-grated Parmesan, at least make sure it’s refrigerated and fresh. If it’s on the store shelf, it’s got other things in there to keep it from caking or growing mould, and you lose the flavour and creaminess of this glorious cheese.

I meant to make something with lemon zest in time to do this post, but because I was so ill for weeks after the Birmingham show I haven’t done enough cooking and I realized I have to get this post done now so you all have time to use the discount codes before they expire! But I can’t wait to be able to speed-zest a lemon using a cutting board like this soon. It’s more stable, too, and I can tell you from all-too-frequent experience that grating your fingers while zesting a lemon is a real test of how many swear words you can spew in a matter of seconds.

In fact it’s telling that the Deiss has not claimed its first taste of blood yet. Usually a new grater, peeler, or knife has already sampled human flesh if it’s been in our house this long. We’re really rather horribly clumsy, and now that I’m typing this I’m pretty sure the Deiss can hear me and is just waiting for me to finish posting this and then it’s going to hunt me in my sleep, but until you see an update of my demise assume that this pleasant little feature is actually helping to prevent us from putting a little bit of ourselves into every dish!

It does come with a guard that snaps on and off (a little awkwardly, to be honest…we’ve had graters where they slide on more easily than this one), but we don’t tend to hurt ourselves on things in the drawer nearly so much as grappling with slippery cheese or the ends of nutmegs.

grater and guard

The guard has holes in it. I’m not sure what for, although it’s possible that they help prevent moisture building up in there because that sometimes did happen with our old one and the slide-on guard if we put it away before it was completely dry. And all graters are a pain to dry. Really, seriously, just leave it in the drainboard overnight. And remember to wash it before you need it because if you try to grate dry things like nutmeg or even Parmesan while there’s still moisture in the holes, it all gets gummy. Don’t do that. Protip.

Anyway, all in all we’re quite pleased with the Deiss, and not just because whenever you get a new grater you realize how hard you were working with your old dull one, but because those tiny rubber feet actually do make a difference. Our household now requires that all future graters have this feature!

To get your own, here are links for Amazon.com and Amazon.co.uk. Use the corresponding code beside the link at checkout (where it asks you if you have a gift card or promotional code) to save US$1.50 or UK£1.48 until January 1, 2017.

For Amazon.com click the link below and use the code OPFL2K2X

For Amazon.co.uk click the link below and use the code ICM2QKR4

Posted in Products, Tool Reviews | Leave a comment

3D Blood/Candy Filled Gravestone Cookies

I’m up to my blood-filled eyeballs in preparation for the big Birmingham cake show, but I wrote a guest post for It Takes A Village To Raise a Mother all about how to make 3D filled cookies without the need for a special cookie cup pan as with my usual 3D cookies.

I’ve designed this project to be super-basic in terms of items you probably already have in your kitchen and with lots of options for how to work around if you don’t. So if you want a fun baking activity this weekend with your kids (or without!), have a go at these:

tombstone cookies

Some have my fake edible blood inside, some have candy, some have both!

It Takes A Village To Raise a Mother is a really great parenting support blog, so if you are feeling overwhelmed by your kids or just want to nod and smile along to some great articles about coping with little ones, check it out.

peo eating cookie

Peo says, “Happy Halloween!” Okay actually she was saying, “Om nom nom!” because she’s the one who made these cookies!

Posted in 3D Cookies, Cookies, Guest Posts, Sick and Twisted, Working With Kids | Leave a comment

Emergency Gift Chocolates

A few weeks ago in the middle of a super-busy cake time, I got invited to a friend’s birthday party. With no car and my grocery order already in for that week, I couldn’t easily go get a gift and even though it was specified that gifts weren’t necessary, I really wanted to bring at least a little something.

Luckily I remembered that the kind folks at Mister Chef had recently sent me a box of goodies for testing and review, including a little mould that happens to make gift-box-shaped edibles. (So yes, that means I got this mould for free, but as I always tell all PR people, I am always honest in reviews so you readers can be assured that I’m not just pushing products.)

I also had some cocoa butter I bought awhile back with the intention of playing with but haven’t had time, several varieties of pink glittery edible dusts accumulated from various cake show gift bags, raffles, etc. (in this case I used The Sugar Art’s Sterling Pearl Yummy Berry, so thank you to The Sugar Art for donating it to whichever show I got it from!), some ganache in the freezer (I freeze it in little chunks in a silicone ice tray I’ve had for ages so then I can pull out however much I need), and some nice chocolate in the pantry.

So I decided to throw all of that together quickly on the day of the party and make some chocolates shaped like gifts!

Step one was to make the ribbon sections of the mould a different colour so they’d stand out. This of course is completely unnecessary, but a nice extra. If you were making emergency chocolates with this mould, you could absolutely just make them all one colour. You could also pipe in some different chocolate first (ie some white chocolate if the rest will be dark, or vice versa, or a coloured candy melt). You could even decorate the chocolates after they come out of the mould, but it struck me that I’d get faster, cleaner lines by using the mould itself, so I went with it.


Cocoa butter chips in the bowl, glittery pink dust, paint brush, small spatula, and the gift mould.

Although I wanted to use the cocoa butter for the most part, I decided it’d also be fun to test what happens if I just painted the dust in directly while still dry, so on two of the mould’s cavities I did that.

For the rest, I melted the cocoa butter slowly in the microwave – and I do mean slowly because it was the first time I did it and wow does it ever take a long time compared to full chocolate! But once it was a liquid, I scooped a small amount of the dust in and mixed it up. It made a pearlescent mix which pleased me because I knew it meant the final result would be glittery, which I knew the recipient would enjoy. Then I used the brush to paint the liquid into the lines of the ribbons. I learned quickly that the trick was to start at the top and let the liquid run down and cool as it went, doing this repeatedly to build up layers, because otherwise it all wanted to pool at the bottom and not stick to the super-smooth silicone (which is, of course, half the point of the silicone…to give a glassy-smooth but flexible decorating surface). If too much pooled down, I used the brush to bring it back up the side ribbons until each cavity had a good, thick layer of the tinted cocoa butter.

dust and cocoa butter in mould

The four on the left have the cocoa butter, and the two on the right have just the plain dust. I found it difficult to get the dust to apply as evenly as the liquid cocoa butter. Further, where the cocoa butter went over the edge, I was able to let it cool and pop it off fairly cleanly, whereas dust that went where I didn’t want it to (which was a lot, on account of it being literally dusty and floating around easily) really stuck on the mould and couldn’t be easily cleaned off without risking the whole piece.

Then I did a basic shell-and-fill chocolate. I carefully melted some dark chocolate to just the melting point to keep it in temper (since I’m really horrible at tempering chocolate!), then poured it in the mould all around, banged it to knock out bubbles, and inverted the mould so excess could drip out. Once that was completely hardened, I warmed up some ganache just enough to be pourable and filled each cavity with a little space left at the top. I popped the mould into the fridge, and about 20 minutes later took it back out. Then I put more melted dark chocolate over the top and gave it a scrape over the top with a larger spatula. I let that firm up again in the fridge for about half an hour to be super sure they were firm, then popped them out.

broken chocolate

Oops. I learned on the first one not to push on the middle of the gift to pop the chocolate out!


Thankfully on the rest I figured out to push from the stronger corners and they all came out cleanly.

The two that were dusted directly into the mould are the two in the middle on the second row, and it shows. The dust doesn’t show up as well as it does when it’s embedded in the cocoa butter.

I packed them up in a box and took them to the party.

chocolates in box

Super fancy packing: plain greaseproof paper in a plain white small cake box. I did tie it shut with some curling ribbon, at least. FANCY DEPANTSI.

So I learned the following:

  • Having chocolate, frozen ganache chunks, and a gift box mould on hand means I can always whip up a party contribution without having to go shopping.
  • Mixing sparkly, edible dust into cocoa butter and painting it directly into a chocolate mould works better than dusting the mould.
  • Push from the stronger corners of a mould, not the middle!
  • People are really happy when you show up with ganache-filled chocolates.

If you’d like to order the same mould, you can do so here (not an affiliate link, but again I did get the mould free from that source for review purposes).

I am definitely planning to use some candy melts to make red, white, and green ganache-filled gift chocolates for Christmas this year!

Posted in Chocolate/Candy, Products, Tool Reviews | 1 Comment

Product Review: Marvelous Molds Ocean Line

I was going to post this originally as part of a bigger post all about how I made my recent Finding Dory collaboration cake, but Robin turned three years old recently and apparently has decided that clinging to me and whining all day is the hot new summer trend. So I’m massively behind in everything but really wanted to post about the ocean series from Marvelous Molds. I’m thus doing it now as a separate post while there’s still some summer left!

Full disclaimer: Marvelous Molds is run by one of my cake friends, Chef Dominic Palazzolo, whom I consider to be one of the most ingenious innovators in the cake world as well as one of the most generous vendors and sponsors of multiple events I’ve been involved with. I definitely biased towards loving his moulds, but it’s well-deserved bias; I’ve purchased hundreds of dollars’ worth of moulds and onlays in the past because they are top-of-the-line in quality and useful for multiple applications. He sent me the ocean line for free for promotional purposes, but I was already a fan of his other work anyway.

So there was a zero chance of me ever giving him thumbs-down on a product review because of all of that, but every bit of praise I give below is genuine because these moulds are super-detailed, easy to use, and made of high-quality, durable silicone. They even have the shell names printed along the outer edge so you don’t have to try to remember which kind is which.

The only potential downsides I can think of are a couple of them are a bit tippy when filling with a liquid (I found I had to prop them on the side of a tray as I poured in my flexible chocolate mix), and they’re pricey. These aren’t your dollar-store cartoony shell moulds. If all you need is a one-off set of simple chocolates, then sure, the cheap moulds will work well enough. But if you’re a professional making detailed beach-themed wedding cakes all summer long, you will recoup the cost of these moulds easily in the speed at which you can produce realistic-looking shells.

All that said, here’s my evaluation of the moulds using flexible chocolate, and some step-by-step photos of how I painted them. I didn’t use every mould in the set because the octopus and boat didn’t really fit the cake I was doing, but they’re all superb quality.

I made up a standard white chocolate batch of the flexible chocolate (this white chocolate has a particularly beige tint to it), poured it in the moulds laid out on a baking tray, and then popped that in the fridge for a few minutes. The shells came out beautifully with fantastic detail. This was so fast, I could easily generate enough to cover a many-tiered cake in a short amount of time.

Of course colouring them takes a bit longer. I Googled each shell to find real versions of it as colouring guides. I started out by experimenting with dabbing edible ink markers roughly down the turret shell mould based on photos such as this one, going in vertical lines.

Then I brushed some Americolor ivory gel over the whole thing, letting it collect thickly in some parts and brushing it thinner elsewhere.

colouring turret shells

From right to left, an uncoloured shell, one that’s had the edible ink marker dabbed down it, and one that has been brushed with the ivory gel.

The spongy nature of the flexible chocolate allowed me to jam the marker down between grooves. This is unique to flexible media because the shape springs back unharmed. If you try this on soft fondant or gumpaste, you’ll wreck the shape. And if you try it on fully hardened gumpaste, you get a different effect entirely:

gumpaste dabbed

A gumpaste version of the same shell dabbed with the same marker. The speckling effect is interesting as well and could be brushed out with water or more colour, but I want to make it clear that the dabbing I’m doing with the markers is going to be very different depending on what media you use in the moulds.

I made several, trying to vary the specifics of the lines but still follow the same general pattern, so they’d look like the same species but with natural variation.

turret shells

turret shell detail

A close up to show the colour but also the fine details of the ridges produced by the mould. You won’t get that on a cheap dollar store mould!

Next I looked up cockle shells (for which I have the small and large moulds) and really fell in love with the varieties that have blueish-purpleish lines, like these ones. The marker-dabbing was good for wide areas, but I wanted finer lines for these little ones so I instead used some Americolor royal blue. I painted that into the lines along a band, widened that out to the raised ridges, and then gave the whole thing a light wash of the ivory. Then I dabbed in thicker sections of ivory.

And then I tried something that worked really nicely: I lightly brushed some Americolor bright white over the ridges to highlight them, and I’m really happy with the result:

small cockle shell painting

Stages of painting the small cockle shells.

cockle shell detail

Then for variety I did a similar banding but with the ivory and a bit of Americolor warm brown on some small and large ones:

brown cockle shells

brown cockle shell detail

Once I decided that I really liked how the bright white looked, I started painting it as a more dominant colour on other shells. The lace murex shell is often very white with vertical lines, so for that one I lightly traced some ivory lines, then painted white over the whole thing in a way that blurred out those lines, and then lightly traced back over them with more ivory in a final highlight.

lace murex shell

lace murex 2

Next I painted some triton shells and spindles. Tritons come in many colours but I liked the ones here that had fairly even vertical lines (because that’s just easier to paint), and spindles come in so many varieties that I figured I could just make up what I wanted.

So for the tritons I added some Americolor warm brown and a tiny dot of Americolor super black to my palette that still had ivory and white on it, so I could blend a gray-brown mixture. I coated the whole shell in that mixture and then added the darker lines on top, blending out edges in some place and leaving them sharp in others.

For the spindles I wanted some colour variety in my overall shell bed, so I first dabbed with a red edible ink marker, and then used some watered-down white in a way that picked up a bit of the red and mixed it. Then I did a brush-tip white highlight over the whole thing.

Spindles and tritons

triton detail

spindle detail

Obviously a lot of these colour choices are completely optional. You can do as I did and look through Google images, or tailor your shells to a specified palette depending on your overall design needs.

In fact for the beaded periwinkle, I decided I wanted a lot more colour to pop through in my design, so while most of the periwinkles I found on Google only had a slightly blueish hue, I went for full-out proper periwinkle blue! I mixed the Americolor royal blue with the bright white and dabbed various gradations of the mixture all over the shells:

beaded periwinkle

You do have to be a bit careful with the white, as it can get a bit gloppy and actually minimize some of the fantastic detail that comes from these moulds.

Likewise for the sugar snail shell, I wanted a brighter set so I went for some fantasy pink tones. I definitely went a bit overboard with the thick white on these, though, and that killed too much of the detail.

sugar snail shells

For the enormous lambis shells, I painted them first all over with the bright white, then played around with other colours I had left on my palette to make a variety of stripes and highlights.

lambis shells

I made some darker and some brighter to give lots of natural variety.

After all of this, I felt confident to have a go at the mould I was really excited about: the starfish. These moulds are so detailed, it looks like real starfish come out of them. My only complaint is there should be more sizes! The one they have now is a great medium size, but I’d love to see a small one and a larger one.

I painted one starfish with red and orange and the other with orange and yellow, all blended together to give very warm tones. Then I mixed a bit of the white with the base colour for each and did a brush-tip highlight sweep. I loved how they turned out. You can really see the amazing detail on them.

starfish 1

starfish 2

I also tried putting some fondant in the coral mould and drying it on pipes to give it motion. The mould worked really well but the fondant was not great; I should have used gumpaste instead. It rained the day I was assembling the cake and the humidity pretty much melted the fondant. Still, the coral mold itself was nice, although a two-sided one would be even better for situations where you don’t want it just pressed up against a cake. The single-sided one as it is would give quick, wide-area coverage to a cake.

coral drying

When those were fully dried, I gave them a light brushing with some yellow and white mixed together, and then darkened the main veins with some super red.

I used all of the shells on my contribution to a Finding Dory collaboration as base decorations. I’ll post more about that cake separately, but here’s what the base looked like:

Finding Dory cake base

base detail

Since the moulds are primarily designed for gumpaste, I do want to show you some quick white gumpaste versions I whipped up to illustrate the detail. Flexible chocolate is poured in so it doesn’t make use of one of the great features of all Marvelous Moulds, the cutting edge. That’s so you can roll your paste right into the mould and excess will easily be cut off for you. It’s a superb feature that you won’t find on cheap moulds. The moulds’ individual pages on the store website show you videos of this in action, and it really does work quite well, especially on shallow moulds. On deeper ones, they show you on the site how to best push material in to maximize detail and minimize distortion.

gumpaste triton

Gumpaste triton shell.

end of turret shell

End of the turret shell up at the top of this post from before I dabbed the marker dots on it.

All in all I’d say if you need highly detailed, professional grade shell moulds, look to the Marvelous Moulds ocean line because they really are fantastic. I may be biased towards them, but it’s for good reason!

Posted in Cake Decorating, Experimental Techniques, Flexible Chocolate, Gummy, Products, Tool Reviews | Leave a comment

Product Review: Russian Piping Tips

A big trend going around cake decorator circles for the last six months or so has been “Russian piping tips”, which are large, multi-holed icing tips that are supposed to instantly give you all kinds of floral effects. And I do mean large: these will not fit on a standard coupler!

I decided I wanted to have a play, so I searched various websites and decided on some food-grade plastic ones I found on ebay (that’s a direct link to where I bought them, which may change in the future so search for plastic Russian piping tips, and no that is not an affiliate link or anything, I am not getting paid or compensated in any way for this review). I figured since I’m generally bad about getting around to cleaning up after rushing a cake out the door and am prone to leaving bags and tips waiting to be washed – which can leave metal tips rusty – the availability of a plastic version was a good choice to try. Being able to get 14 varieties for only £8.99 from within the UK was a great deal.

This evening I’m going to my WI craft club meeting (I am so like totes British now, all y’all) so since I had spare buttercream from a major cake I’m working on for this coming weekend, I decided to whip up an extra version of my favourite chocolate cake recipe in my 10″ pan so I could have a go with the new tips. I knew my WI friends would just be happy someone brought cake to eat, which means I could freely play with the tips for the first time without having to worry about perfection for a judge or customer.

(By which I mean my friends have made it abundantly clear they are willing to help me dispose of experimental cakes!)

My verdict is that these tips are tons of fun but do take some practice, and if like me you have hot hands that soften buttercream, you should probably pop your bag in the fridge every once in awhile. I didn’t, and you’ll see below what happened as a result.

I started with the unlevelled chocolate cake exactly as it came out of the pan, put upside down so the flatter side was showing (part of why I love this recipe is the cakes come out fairly level anyway). I cooled it for a few hours, and then got to work.

I baked the cake on a parchment circle for that nice flat bottom, but didn't level the other side at all.  I didn't cut and fill it because I knew I'd be piling buttercream thick on top and really, the point here was to have a canvas for play more than a perfect cake.

I baked the cake on a parchment circle for that nice flat bottom, but didn’t level the other side at all. I didn’t cut and fill it because I knew I’d be piling buttercream thick on top and really, the point here was to have a canvas for play more than a perfect cake.

I mixed some of the icing with Americolor Regal Purple and spread that on as a base, and then prepped three bags of multicoloured icing. I haven’t done a lot with mixed buttercream colours in one bag before, so part of this play was messing around with the colours to see what happened. The left one below has yellow (Americolor Electric Yellow) wiped around the inner lining of the bag with pink (Americolor Electric Pink) dolloped in the middle. The middle one has pink around the bag with plain, uncoloured buttercream in the middle. The right bag has blue (Americolor Royal Blue) around the outside and also plain in the middle.

piping bags ready to go

The tip patterns don’t have names, but the middle one makes rosettes and the outer ones make flowers with spiky interiors. I should name them, but knowing me the names would have to be silly ones…let’s save that for another post when I’ve tried all 14.

I also reserved some to mix as green at the end (Americolor Forest Green) to do as leaves using a standard Wilton #70 tip (which is also when I discovered that piping leaves with points is a lot harder than it looks, because I’m not sure any of mine came out with points…and again, I bet you none of the ladies at my craft group tonight will mind!).

Here was my overall result:

floral cake

A fairly garish cake but a good sampling of where the tips worked and where they didn’t. Click for a larger version.

Definitely not my usual style of cake (needs more blood), but it was fun to play and I bet everyone tonight will dig in.

So let’s get to how the tips performed:

I started with the pink and white one, which makes rosettes. My first few came out mixed, but I think I didn’t put enough white in the bag because after those they were all pink. I learned fast that it’s not 100% easy to get all of the petals – especially the interior ones – to stick to the cake, so sometimes I had to go back and re-pipe to make interior petals at all. Other times I left them a bit under done in the middle.

piped flowers

My first rosettes with good colour blending, and you can see some of the better yellow-pink ones there as well.

piped pink roses

Later rosettes came out single coloured.

Next I did a circle of the yellow and pink ones, and the dotted interiors were particularly hard to make stick on the cake. You have to really push down on that first squeeze, but if the icing is getting hot in your hand it’s easy to squoosh it out too far too fast. I got nice colour variation on these at least, and was really happy when I saw some of the outer petals come out two-toned. I just wish they’d held their shape better but again, I’ve learned to chill my buttercream more next time.

pink and yellow piped flowers

Two-toned outer petals are fun. Although you can really see in this picture how terrible I am at piping leaves! Evidence must be eaten soon!

Then I had a go with the blue bag around the side of the cake, which was definitely harder because of the angle. I think these tips work better downward. My first few flowers came out pretty nicely:

blue and white flowers

The blue exterior and white interior is really nice.

But by the time I got around the cake, the icing was way too soft and all I was getting was mushy lumps:

mushy flowers

No really, these are flowers…post-lawnmower. Yes.

With the leftover pink and yellow-pink buttercream, I tried some larger flowers in the middle. The yellow ones went all mushy, but one of the pink ones came out as a reasonably good fat rose, especially for the mere seconds it took to pipe it:

fat piped rose

I did this as an afterthought in seconds. Imagine if you used these tips with actual skill and forethought!

My overall review is that Russian piping tips make fancy flowers really fast. It took longer to colour the icing and fill the bags than it did to do the whole cake. These would be a fun way to use up all kinds of extra colours of buttercream after other cake projects, especially on cupcakes. Blort blort blort and you’re done.

And that’s just three of the tips…I haven’t even tried the other 11 yet!

I’d say if you are keen to play around with buttercream flowers in a fun, casual way, get yourself some of these tips, especially if you can find a good deal. Be aware that they take some practice and don’t expect perfection right away, but in terms of plopping together a super-fast floral cake for friends or a tea party, they’re just about perfect.

I can’t wait to play with the others. I wonder if I can talk my WI friends into having some kind of fundraiser where I’ll bring bags of icing with each tip ready to go and someone else brings some cakes and club members can pay a few pounds to come in and play with flowers and then eat cake…

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Posted in Buttercream Techniques, Cake Decorating, Fancy cakes, Products | 6 Comments